The marriage of free negroes in a church of Rio de Janeiro in the beginning of the nineteenth century. 1 |
ANTIPHONS | ||||||
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CPM # | Year | Title | ||||
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1 | 1783 |
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Tota pulchra Es Maria |
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2 | 1795 |
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Sub Tuum Præsidium | |
3 | 1798 |
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Ecce Sacerdos | |
4 | 1807 |
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In Honorem | |
5 | 1810 |
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Ecce Sacerdos |
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6 | 1810 |
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Ave Regina Cælorum | |
7 | - |
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Ecce Sacerdos | |
8 | - |
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Flos Carmeli | ||
8a 2 | - |
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Flos Carmeli | |
9 | - |
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O Sacrum Convivium |
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10 | - |
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Regina Cæli Lætare Alleluia | |
11 | - |
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Regina Cæli Lætare Alleluia | |
11a | - |
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Ecce Sacerdos | |
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BENEDICTUSES | ||||||
CPM # | Year | Title | ||||
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12 | 1814 |
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Bendito e Louvado Seja | |
13 | 1815 |
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Bendito e Louvado Seja | |
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CANTICLES | ||||||
CPM # | Year | Title | ||||
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14 | 1798 |
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Benedictus Canticle | ||
15 | - |
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Zacharias Canticle | ||
16 | 1797 |
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Magnificat | ||
17 | 1810 |
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Magnificat |
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1 DEBRET, Jean Baptiste. Viagem Pitoresca e Histórica ao Brasil [A Picturesque and Historical Travel in Brazil]. Rio de Janeiro: Itatiaia, 1992. v. 3, pr. 15. 2 s. n.o in the original (Editor's Note). |