Funeral processions heading to the Convent of St. Anthony. 1

LOST WORKS WITH HISTORICAL REFERENCE
CPM #	Year	Title
Antiphons
I	s/d.			"Alma Redemptoris" (C.F.)
II	s/d.			"Exaudi nos" for Ash Wednesday (C.T.O.O.)
III	s/d.			"Ecce Sacerdos Magnus", to 4 v. and organ with accomp. of vln., vlc., fl., cl., ob., trp, trb. e cb., missing the horn parts (M.)
IV	s/d.			"Ecce Sacerdos", 4 v. and organ with vln., vla., vlc., fl., cl., ob., bsn., trp., cor, tp. e cb. Score (M.)
V	1809			"Ecce Sacerdos" to 8 v. and organ.
Benedictuses and Canticles
VI	s/d.			"Benedictus" of the Processions (C.F.)
VII	s/d.			3 "Benedictuses" to voices and organ (C.F.)
VIII	s/d.			"Benedictus" with vlc. and bsn. (C.F.)
IX	s/d.			9 "Magnificat" (C.F.)
X	1798			"Magnificat" to 4 v. and organ (M.)
XI	1798, 1816, 1820			4 "Magnificat" (V.)
XII	1808			"Benedictus" alternated in the 1st tone to 4 voices and organ, vlc., bsn., and cb. for the 15th day of August, of Our Lady of Glory (M.)
XIII	s/d.			"Magnificat" alternated in the 1st tone for the Processions of Our Lady and the Guardian Angel of the Kingdom to 4 voices only, composed for the Cathedral of Rio de Janeiro (M.)
XIV	s/d.			"Magnificat" in the 8th tone alternated with plainsong of the processions of Our Lady to 4 v. only (M.)
s/n.º	s/d.			"Salutaris". (See XCII).
Anthems
XV	s/d.			"Gaude Tuorum" for the Vespers, Matins and Lauds of St. Sebastian. 4 v. and organ (M.)
XVI	s/d.			Anthems of St. Stephen in the 1st octave, S. John Evangelist in the 2nd octave and the Innocent Martyrs in the 3rd octave. 4 v. and organ (M.)
XVII	1820			Anthems of the Vespers of the Holy Wounds of O. L. J. C. on February 5 and 6, to 4 v. and organ, with orq. 'ad lib' of vln., fl., cl., ob., bsn., trp., corni and cb. (M.)
XVIII	s/d.			"Iste Confessor" of the Holy heart of Jesus with another of St. Anne (M.)
XIX	1789			"O Redemptor Sume Carmen". Anthem for the Procession of the Rite of the Saints Oils. 4 v. only (M.)
XX	1789?			"Pange Lingua" (M. lists two of these anthems composed in 1789)
XXI	1799			"Pange Lingua Glorioso" (V.)
XXII	s/d.			"Vexilla Regis" of the Vespers of the Feast of the Exaltation of the Holy Cross on September 24, to 4 v. and organ (M.)
XXIII	s/d.			"Veni Sancte Spiritus" of the Vespers, Matins and Lauds of Pentecosts to 4 v. and organ (M.)
Litanies
XXIV	1788			Litany of Our Lady to 4 v. and organ (M.)
XXV	1809			Litany of Our Lady to 4 v. and organ. Composed for the Thirds of Mount Carmel (M.)
XXVI	1810			Litany of Our Lady to 4 v. vln., vla., cb. and organ (M.)
Motets
XXVII	s/d.			20 Motets to mixed voices and organ (C.F.)
XXVIII	s/d.			3 Motets to great orchestra (C.F.)
XXIX	s/d.			Motet with vlc. and bsn. (C.F.)
XXX	s/d.			Motets for the Procession of Corpus Christi (C.F.)
XXXI	1809			Motet of Our Lady for processions, to 6 voices only (M.)
XXXII	1809			Motet of the Septenary of the Sorrows of Our Lady. To 4 v. and organ, fl., bsn. and cb. 'ad lib'; original score. (M.)
XXXIII	1809			Motet for the procession of the Acclamation of the King Our Lord John IV, to 8 v. only (M.)
XXXIV	1809			Motet and Responsory "Si quæris miracula" for the Trezenes of St. Anthony, 4 v. and organ (M.)
XXXV	1809			Motet "Fallax gratia", Responsory of St. Anne, extracted from the motet for the Common of the "neither virgins nor martyrs", to 4 v. and organ (M.; V.)
XXXVI	1809			Motet and Responsory of the Guardian Angel of the Kingdom, to 4 v. and organ. (M.)
XXXVII	1809			2nd Motet and last Responsory of the Matins of the Holy Spirit, to 4 v. and organ (M.)
XXXVIII	1809			Motet "Cum Jejunatis" of the offertory of the Ash Wednesday Mass, to 4 v. only (M.)
XXXIX	1809			Motet "In Jejunio" of the 1st Sunday of Lent, to 4 v. only (M.)
XL	1809			Motet "Vidi Dominum" of the 2nd Sunday of Lent, to 4 v. only (M.)
XLI	1809			Motet "Videns Jacob" of the 3rd Sunday of Lent, to 4 v. only (M.)
XLII	1810			Motet "Cantemus Domino" of the 4th Sunday of Lent, to 4 v. and organ (M.)
XLIII	1809			Motet 1st Responsory of the Common of the Apostols of the offertory of St. Jacob's Mass, to 4 v. and organ, bsn. and cb. (M.)
XLIV	1809			Motet of Ash Wednesday (M.)
XLV	1810			Motet of the Sorrows of Our Lady to 8 v. and organ, bsn. and cb.(M.)
XLVI	1811			Motet "Hic est vere Martyr" of the processions of St. Sebastian to 9v. only (M.)
XLVII	1811			Motet of Thursday after the Sunday of Lent in Carnival, a 4 v. bsn. and organ (M.)
XLVIII	1811			Motet to the offertory of the "Pro pace" Mass, a 4 v. bsn. and organ (M.)
XLIX	1815			Motet "Si quæris miracula" of the Trezenes of St. Anthony, to 4 v., bsn. and organ (M.)
L	1816			Motet of the Mass of the Election or Sacrament of the Most Illustrious and His Excellency the Bishop, current Prelate of the R. C. of R. J., in March 15, to 4 v. and organ (M.)
LI	s/d.			Motet 1st Responsory of the Purification of Our Lady, 5 v. and organ (M.)
LII	s/d.			Motet 7th Responsory of the Office of the Patronate of St. Joseph; with the 2nd of St. Francis of Borja, Patron of the Kingdom, of the offertory of the Masses of these two days. 4 v. and organ (M.)
LIII	s/d.			Motet 4th Responsory of the Matins of St. Michael the Archangel, of the offertory of the Mass. 4 v. and organ (M.)
LIV	s/d.			Motet 1st Responsory of the offertory of the Mass of the Nativity of Our Lady, on September 8. 4 v. and organ (M.)
LV	s/d.			Motet of the Annuntiation of Our Lady. (V.)
LVI	s/d.			Motet 5th Responsory of the Office of the Holy Trinity, of the offertory of the Mass. 4 v. and organ (M.)
LVII	s/d.			Motet 1st Responsory of the Office of St. Barbara, of the offertory of the Mass. 4 v. and organ (M.)
LVIII	s/d.			Motet of the Christmas vigil. 4st Sunday after the Advent, 4 v. and organ (M.)
Novenas
LIX	1809			Novena of St. Joseph. For the Royal Chapel. Originally sung by heart and then arranged on a score. 4 v. and organ. (M.)
LX	1809			Novena of the most holy heart of Jesus, tp 4 v., bsn. and organ. (M.)
LXI	1821			Novena of Our Lady of Mount Carmel. (V.)
LXII	1824			Novena of Our Lady of Mount Carmel to 4 v. and organ, with vln., cl., cor., trp., bsn., and cb. Reduced to organ only by order of H. M. the Emperor in the year 1824. (M.)
LXIII	1824			Novena of Our Lady of Mount Carmel. Composed for orchestra in the year 1824 and by order of H. M. the Emperor reduced to 4 v. and organ in the year 1832. (M.)
Psalms
LXIV	1810?			"Beati Omnes" (Vasco quotes a "Beatus omnes" - For Corpus Christi in 1817. And another "Beati omnes" in 1810.)
LXV	s/d.			"Exaltabo te". (C.F.)
LXVI	s/d.			"Memento Domini". (C.F.)
LXVII	s/d.			9 psalms. Alternated sets. (C.F.)
LXVIII	1810			"Beati Omnes qui timent Dominum" to 4 v. and organ, vln., cl., bsn., cor., tp. e cb., orig. score of the Vespers of Corpus Christi. Composed in the year 1810. (M.)
LXIX	1817			"Beatus Omnes". Corpus Christi (V.)
LXX	1797, 1808, 1809, 1810			"Beatus Vir", to 4 v. and organ. 1797, 1808, 2 in 1809, 3 in 1810. (V.)
LXXI	1797, 1808, 1809, 1810			"Confitebor", to 4 v. and organ. 1797, 1808, 1809, 3 in 1810, 2 s/d. (V.)
LXXII	1809			"Confitebor quoniam audisti", of the Vespers of the Most Holy Heart of Jesus, to 4 v. and organ, vln., vlc., fl., cl., bsn., trb., cor., tp. and cb. (M.)
LXXIII	1820			"Credidi", alternated in the 1st tone, of the Vespers of the Wounds of O. L. Jesus Christ on Februrary 5 and 6, to 4 v. and organ, vln., vlc., fl., cl., ob., trb., cor., bsn., tp. and cb. Original score. composed by order of His Most Faithful Majesty in the year 1820. (M.)
LXXIV	1810			"Credidi". 3rd Psalm of the Vesperas of the Holy Sacrament to 4 v. and organ, with instrumental 'ad libitum', vln., fl., cl., trp., cor., tp. and cb. (M.)
LXXV	s/d.			"De Profundis clamavi ad te" of the 2nd Vespers of Christmas. 6 v. and organ. (M.)
LXXVI	1797, 1808, 1810, 1815			"Dixit Dominus", to 4 v. and organ: 1797, 1808, 4 in 1810, 1815. (V.)
LXXVII	s/d.			"In Exitu Israel", of the Vespers of the Sundays. 4 v. and organ. (M.)
LXXVIII	s/d.			"In Exitu Israel de Egyptu" to 4 v. and organ, alternated with plainsong in the 8th tone. (M.)
LXXIX	1810			"Lætatus Sum", 4 v. and organ. (M.)
LXXX	s/d.			"Lauda Jerusalem". (V.)
LXXXI	1810			"Lauda Jerusalem", of the Vespers of the Holy Sacrament. 4 v. and organ. (M.)
LXXXII	1820			"Laudate Dominum". (V.)
LXXXIII	1798, 1815, 1817			"Laudate Pueri". (V.) Nota: Maciel lists 8 s/d.
LXXXIV	1798			"Laudate Pueri Dominum" to 4 v. and organ. Composed for the Cathedral of Rio de Janeiro. (M.)
LXXXV	1808, 1809, 1810, s/d.			"Nisi Dominus". 1808, 2 in 1809, 3 in 1810, 2 s/d. (V.)
LXXXVI	1810			"Nisi Dominus", to 4 v. and organ. (M.)
LXXXVII	1815			"Prætiosa". Bass solo to be sung in the middle of the psalm "Credidi", composed by order of H. H. R. for the 2nd Vespers of St. Sebastian. (M.)
Te Deum
s/n.	1791			"Te Deum", sung in R. J. by the Brotherhood of St. Cecilia alluding the arrival of D. Luiz de Vasconcelos to the Kingdom. Lisbon Gazette, May 10, 1791.
LXXXVIII	1791			"Te Deum (with fugue) to 4 voices and orchestra (strings, fl., 2 cl., 2 cor)"
LXXXIX	s/d.			Te Deum of St. Joseph alternated to 4 v. and organ.
XC	s/d.			Te Deum to 4 v. only, organ accompaniment added lately. (M.)
XCI	1799			Te Deum straight to 4 v. and organ with vln., fl., trp., cor., tp. and cb. (M.)
XCII	1809			Te Deum preceeded of the canticle Salutaris Hostia, to 4 v. and organ with vln., vla., vlc., fl., trp., cor. and cb. Orig. score (M.)
XCIII	1811			Te Deum for the processions, to 4 v. only. (M.)
XCIV	1811			Te Deum for the processions of the Royal Chapel, to 8 v. only. (M.)
Masses
XCV	s/d.			Mass with great orchestra. (C.F.)
XCVI	s/d.			4 Masses with figured plainsong. (C.F.)
XCVII	s/d.			14 Masses to voices and organ. (C.F.)
XCVIII	s/d.			"Kyrie" and gradual "Miserere" of Ash Wednesday, to 4 voices and bass. (C.F.)
XCIX	s/d.			Mass of the feast of the Beheading of St John the Baptist. (historical reference). (See "Works of Questionable Authorship/Mass of the behead")
C	s/d.			Mass of the Queen St. Elizabeth. 4 voices and organ. (M.)
CI	1797			Mass to 4 voices and organ for the Pontificals of the See of Rio de Janeiro. (M.)
CII	1798			Mass of the Advent and Lent to 4 v. only, alternated with plainsong. (M.)
CIII	1799			Pontifical Mass to 4 v. and organ. (M.)
CIV	1802			Mass to 4 v. and organ for the Pontificals of His Excellency the Bishop of the Cathedral of Rio de Janeiro. (M.)
CV	1808			Mass and Creed of the Nativity to 4 v. and organ. (M.)
CVI	1808			Pastoral Mass of Christmas to 6 v. and organ. (M.)
CVII	1809			Mass of the Immaculate Conception to 4 v. and organ, orig. score added for the feast of St. Peter of Alcantara. (M.)
CVIII	1809			Mass of St. Michael the Archangel to 4 v. and organ. (M.)
CIX	1809			Mass and Creed of the Visitation of Our Lady and the Guardian Angel of the Kingdom. 4 v. and organ. (M.)
CX	1811			Mass and Creed to 4 v., vln., vlc., bsn. and organ, fl., cl., trp., cor., tp, cb., half orchestra 'ad lib'; orig. score composed for March the 7th, anniversary of the arrival of H. R. H. the Prince Regent. (M.)
CXI	1820			Mass and Creed of St. Barbara, to 4 v. and organ. (M.)
CXII	1820			Mass of the Sponsorship of Our Lady under the title of Our Lady of the Head, to 4 v. and organ. (M.)
CXIII	s/d.			Creed to 4 voices only. (Maciel lists two of these s/d.)
CXIV	s/d.			Creed to 4 v., vlc., bsn. and cb., missing the organ part. (M.)
CXV	1810			Creed to 4 v. and organ. (V.)
CXVI	1813			Credo to 4 v. and organ. (V.)
CXVII	1819			Credo to 4 v. and orchestra. (V.)
CXVIII	1796			Gradual of St. Anne. (Taunay, op. cit., note on pg. 87)
CXVIX	s/d.			Gradual and Offertory "Ascendens Deus in jubilatione" of the Thursday of the Ascenscion of Our Lord, to 4 v. and organ. (M.)
CXX	s/d.			Gradual, Sequentia and Offertory of the Mass of the Holy Spirit, to 4 v. and organ. (M.) (See CPM # 147, 169, 161)
CXXI	s/d.			Gradual, Sequentia and Offertory of the Mass of Monday of Pentecost to 4 v. and organ. (M.) (See CPM # quoted in CXX)
CXXII	s/d.			Gradual, Sequentia and Offertory of the Mass of Tuesday of Pentecost to 4 v. and organ. (M.) (See CPM # quoted in CXX)
CXXIII	1809			Sequentia "Lauda Sion", of the Feast of Corpus Christi, to 4 v. and organ, vln., vlc., fl., cl., trp., cor. and cb. (M.)
CXXIV	1809			Sequentia "Victimæ Paschali" of the Mass of the Resurrection of Our Lord on Sunday, Monday and Tuesday of the octave of the Passover to 4 v. and organ. (M.)
CXXV	1820			Sequentia "Victimæ Paschali" of the Mass of the Resurrection of Our Lord on Sunday, Monday and Tuesday of the octave of the Passover to 4 v. and organ, with vlc., bsn., ob. and cb. (M.)
Funeral Offices (Matins and Vespers) and Requiem Masses
CXXVI	s/d.			3 matins to mixed voices and organ. (C.F.)
CXXVII	s/d.			3 matins to violoncello and bassoon. (C.F.)
CXXVIII	1808			Matins of the Assumption of Our Lady to 4 v. and organ, with bsn., vlc. and cb. (M.)
CXXVIX	1809			Matins of the Resurrection to 4 v. and organ. (M.)
CXXX	1809			Matins of St. Peter, to 4 v. and organ, from the 2nd to the 8th Responsories. (M.) (See CPM # 171)
CXXXI	1810			Matins of St. Sebastian to 4 v. with acomp. of vln., vla., fl., cl., bsn., trp., cor., vlc. and cb. (M.)
CXXXII	1822			Matins of Our Lady of Mount Carmel to 4 v. and organ, vln., fl., cl., bsn., trp., cor. and cb. (M.)
CXXXIII	s/d.			Matins of Our Lady of Mount Carmel to 4 v. and organ. (M.)
CXXXIV	s/d.			Matins of St. Sebastian to 4 v. and organ. (M.)
CXXXV	s/d.			Matins of the Magi a 4 v. and organ from the 4th to the 8th Responsories. (M.)
CXXXVI	1797			Vespers of the Apostols to 4 v. and organ, composed for the Cathedral of Rio de Janeiro. (M.)
CXXXVII	1808			Vespers of Our Lady to 4 v. and organ. (M.) ("Lætatus sum", "Nisi Dominus" and "Magnificat")
CXXXVIII	1809			Vespers to 6 v.and organ, bsn. and cb. (M.) ("Dixit Dominus", "Confitebor", "Beatus vir", "Laudate Pueri", "Magnificat")
CXXXIX	1810			Vespers of St. Joseph to 4 v. and organ. (M.) ("Dixit Dominus", "Confitebor", "Laudate Pueri", "Laudate Dominum", "Magnificat") (See CPM # 17)
CXL	1810			Vespers of the Holy Sacrament, to 4 v. and organ. (M.) ("Beati omnes", "Lauda Jerusalem")
CXLI	1810			Vespers of the Holy Sacrament, to 4 v. and organ with instrumental 'ad libitum'. (vln., fl., cl., trp., cor., tp. and cb.). (M.)
CXLII	1810			Vespers of the Nativity to 4 v. and organ, bsn., vlc. and cb. (M.) ("Dixit Dominus", "Confitebor", "Beatus vir", "Laudate Pueri", "Lætatus sum", "Nisi Dominus", "Lauda Jerusalem", "Magnificat")
CXLIII	1810			Vespers of the Nativity of Our Lady a 4 v. and organ, bsn., vlc. and cb. 'ad libitum'. (M.) ("Dixit Dominus", "Confitebor", "Beatus vir", "Laudate Pueri", "Lætatus sum", "Nisi Dominus", "Lauda Jerusalem", "Magnificat")
CXLIV	1810			Vespers of St. Anne to 4 v. and organ. (M.) ("Dixit Dominus", "Laudate Pueri", "Lætatus sum", "Nisi Dominus", "Lauda Jerusalem", "Magnificat")
CXLV	1815			Vespers of St. John. (M.) ("Dixit Dominus", "Confitebor", "Beatus vir", "Laudate Pueri", "Magnificat")
CXLVI	1815			Psalms for the Vespers of St. John to 4 v. and organ one may add 'ad libitum' vlc., bsn. orig. score with half orchestra and separate parts, vln., fl., cl., trp., cor., tp. and cb. (M.)
CXLVII	1820			Vespers of the Holy Spirit to 4 v. and instrumental: vln., vlc., fl., cl., bsn., trp., cor., tp. and cb. (M.) ("Dixit Dominus", "Confitebor", "Beatus vir", "Laudate Dominum", "Magnificat") (See CPM # 179)
CXLVIII	s/d.			Vespers of St. Anne to voices and organ. (M.)
CXLIX	1808			Vespers to 4 voices and organ. (M.)
CL	s/d.			Vespers for Sunday to 4 voices and organ. (M.)
CLI	s/d.			Second Vespers of Christmas. 4 v. and organ. (M.)
CLII	s/d.			Requiem Mass to 4 voices, vln., vla., 2 fl., 2 cor., bass. (C. T. O. O.) (See CPM # 191)
Works for Holy Week
CLIII	1789			"Pange Lingua". Anthem for the procession of the Holy Sacrament on Holy Thursday to 4 v. only. (M.)
CLIV	1798			Benedictus Canticle for Holy Wednwsday, Holy Thursday and Good Friday to 4 v. and organ with bsn. and cb. (M.) (See CPM # 14, 193 and 196)
CLV	1798			Psalm "Miserere" to 4 v. only. (M.)
CLVI	1809			Creed to 8 v. of Holy Thursday. (M.)
CLVII	1809			"Vexilla Regis" for the procession of the Holy Sacrament on Good Friday. (M.)
CLVIII	1809			"Victimæ Paschali" Sequentia to the Mass of the Resurrection of Our Lord, on Sunday, Monday and Tuesday of the octave of the Passover to 4 v. and organ. (M.)
CLIX	1811			Motet "Alleluia". (V.)
CLX	s/d.			Benedictus for Holy Wednesday "Traditor autem" to 4 v. and bass. (M.)
CLXI	s/d.			Christus Factus Est, gradual for Holy Wednesday, 4 v. and bass. (Copy by M.)
CLXII	s/d.			Christus Factus Est, another gradual for Holy Thursday, 4 v. and bass. (Copy by M.)
CLXIII	s/d.			Quoniam (Exaudi) to 4 voices, following the preceeeding with the same theme. Same theme of "Christus Factus Est" (CLXI).
CLXIV	s/d.			Glória, Laus et honor for the Procession of Palm Sunday to 4 voices and organ. (M.)
CLXV	s/d.			Miserere for Holy Wednwsday, Holy Thursday and Good Friday to 4 v. and organ. (M.)
Secular Works
CLXVI	s/d.			"Marília, se me não amas não me digas a verdade" (Marilia if you don't love me do not tell me the truth). (J.C., 14-II-1840) (See CPM # 239)
CLXVII	s/d.			"No momento da partida meu coração t'entreguei" (At the moment of departure I gave you my heart). (J.C., 23-XII-1837) (See CPM # 238)
CLXVIII	1817			Twelve divertimenti for wind instruments. (M.A.P.A.)
CLXIX	1817			"Le Due Gemelle", opera. (M.A.P.A.)
Orchestrations
CLXX	1813			"Tu devicto mortis", solo originally composed for contralto by Mr. Marcos Portugal transported and arranged for tenor by father J. M. N. G. [...] with accompaniment of vla., fl., cl., trp., cor. and cb. (M.)
CLXXI	1816			"Magnificat", written originally by Antônio Leal Moreira, with vlc., bsn., tp. and cb. in 1812 and added by order of H. R. H. fl., cl., trp. and cor., by father master J. M. N. G. on the year 1816. (M.)